- #BEHRINGER X32 USB FLASH DRIVE RECORDER ROUTING DRIVER#
- #BEHRINGER X32 USB FLASH DRIVE RECORDER ROUTING FULL#
It can talk Midi or OSC or actually Midi and OSC at the same time and can control up to three mixers from different or the same manufacture at the same time. It can run on a mac if it has a true version of windows running on it. The scene management program I use is a windows program.
#BEHRINGER X32 USB FLASH DRIVE RECORDER ROUTING DRIVER#
There also isn’t a windows driver that they make or that they are willing to recommend for their Midi over TCP/IP and if they can’t get that right and support that that is a problem for me. The dLive Midi isn’t fully implemented yet, to the best of my knowledge, you can’t do channel EQ control and there may be some other things it can’t do. If you want after this week things slow down a little for me and I can go play with one of them that is available to me. I can guess but I don’t want to say exactly what the behavior is without playing with it again. I would have to get my hands on one again because I basically put them out of my mind for consideration due to the behavior. It is fine for storing a concert setup but not for sequencing thru cues for a Musical or editing those cues on the fly during rehearsals.
#BEHRINGER X32 USB FLASH DRIVE RECORDER ROUTING FULL#
While discussing the SQ scene management with the full time audio guy at my church the subject of the scene management came up and the same weirdness that I though the SQ has he said the dLive also has. I am sure I have written about this in the past but I don’t have the time to look up those things now. I am sorry I am in the middle of an insane week. I had this discussion with A&H many years ago (at a trade show) after using an iLive for Musical theater and they just didn’t seem to get it. The scene management in my opinion is not ready for theatrical use. If you already have a Midas M32 you will be extremely frustrated by the SQ6. The only hope on that front would be if they were to ever make it able to be properly controlled by external theater software. The logic behind the scene management in the SQ6 and the dLive to me is definitely not theater ready. And some of the same complaints that I have on the SQ6 seem to be how the dLive also works so not a good fit for me. With my testing the sound difference wasn’t significant enough for me to suggest the SQ6 in its present firmware state. But I have been able to come up with reverb settings on the M32 that sound just like the SQ6. I really like the freely assignable layers on the SQ6 and I like the sound of the stock reverb for vocals.
I regularly use the M32 for live concert and Musical theater work. I had an SQ6 (loaner for testing) and a Midas M32 next to each other in my home office and played with them for over a month.